++++++ said:
The album prior to Picaresque (the name escapes me but I was listening to it at work last week) is very good as well.
Both albums before Picaresque - Castaways & Cutouts and Her Majesty The Decemberists - are also perfect albums, and are well worth seeking out (annoyingly, they've never been released in this country, so you'll have to seek them out via import), especially C&C, if only for the closing track California One/The Youth & Beauty Brigade.
However, Picaresque is a lot more of a fun record than the first two. C&C and Her Majesty... are both superb works, and feature light, bouncy tracks, but they are counteracted by one or two dark moments (especially C&C - see A Cautionary Tale). Picaresque, on the other hand, is much more lighthearted and a joy to listen to. It's also proof that Colin Meloy is a genius in the way he can convey a narrative - often funny, sometimes moving, always thought-provoking - in a pop/folk/"indie" song. His eye for characterisation is unparalleled in modern music (except by Moz). And you haven't lived untill you've heard The Mariner's Revenge Tale!
To discover Meloy's true genius, however, check out The Tain. It's a 20-minute long retelling of the Irish mythological epic Táin Bó Cúailnge, set to all sorts of different kinds of music - heavy metal, folk, pop, ballad, hard rock.... It's without question one of the best songs - certainly the most bizarre - I've heard in a long time.
++++++ said:
I don't particularly care for Meloy's vocals, but that's just me.
I'm afraid I have to disagree. I think the way Meloy sings conveys so much emotion and beauty. His phrasing is perfect, and his way with words in a song is something quite special. But then again, being a huge Decemberists fan, I am biased.....