"But sometimes the darkness can descend and everything closes down, so you have to read the signals." Street sounds like he's blessed with a high level of emotional intelligence, I'm glad he's done so well for himself.
Great interview, thanks for sharing that. And further insight into the absolute mayhem and torment of Morrissey's mind. But that's where his art comes from - I wouldn't want it any other way.
Never been overly bothered by his music but he's such a brilliant character. (His episode on Louis Theroux's lockdown podcast series was amazing. He's just so...blunt.)
Exactly. It would actually work perfectly for him given the size and dedication of the fanbase globally (even though it's smaller than it used to be) - but it would seem to be completely against everything he believes about how the industry should work / serve him and his art.
You're right, we are living through unbelievably stupid times. The fact that some Radio 1 listeners (although nobody knows how many) lack the critical thinking skills to ascertain that the "offensive" language in F-Tale of NY is being used by *characters* and is not actually an endorsement of...
Surely the point is that those *could* have been top 20 singles, back in the day, before M had sabotaged his media profile with his views and before the industry had moved on in terms of how streaming impacts the singles chart. I mean, there are several songs on Dog that are much, much stronger...
I love how when you look at this book on Amazon UK, one of the "related titles" is called Grandpa Mudcake and the Kitchen Calamity.
I may always think of Morrissey as "Grandpa Mudcake" from now on.
This feels like one of those projects that would be better suited to being a website of entries rather than an actual book...
But hey, content is content, good luck to the guy.
This is all armchair psychology bollocks of course - much like what nearly all of us do on this site! - but this line from Berninger:
"I feel like Morrissey became very frustrated because he wanted the world to be a very specific way"
...feels accurate, somehow. And (for me) that's a big part...
I kind of enjoy lists like this! What jumps out at me here is that most of these albums stayed in the Top 10 for weeks and weeks and weeks, while the Stone Roses (0 weeks) and the Smiths (2 weeks) didn't. And yet, 30-plus years later, they're being remembered the great British public.
This feels like a terrible thing to say, but I've always felt this record has a handful of the very best (like, absolute gobsmacking genius) Smiths songs and also a few of the worst...
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