Jo Slee: Difference between revisions
| Line 11: | Line 11: | ||
</blockquote> | </blockquote> | ||
[[file:Slee Morrissey 1991.png|200px|thumb|left|Morrissey & Slee (1991)]]<br> | [[file:Slee Morrissey 1991.png|200px|thumb|left|Morrissey & Slee (1991)]]<br> | ||
<br> | |||
<br> | <br> | ||
<br> | <br> | ||
Revision as of 04:07, 15 April 2022
Relevance
From Q Magazine (October, 1994):
...While production manager at Rough Trade during The Smiths time, she supervised his array of Xeroxes, doodles and colour instructions while clearing the copyright on the selected images, continuing through the solo years and finally graduating to the role of Morrissey's personal assistant (she stepped down in July 1993)..."
"...Morrissey never justified his choices in print, nor gave any reason to Slee, "but that's his prerogative. That's what Peepholism means - it's a glimpse into Morrissey's personality, foibles and all, with a lot of broad hints which will hopefully give people some insights. His use of visuals can sometimes be obscure, sometimes comic, some times convoluted, but impossible to sum up in one sentence. Which is one of the things that makes him so interesting."
Mentioned In
- Peepholism: Into The Art Of Morrissey
- Scott Piering
- There Is A Light That Never Goes Out (single)
- Girlfriend In A Coma (single)
- Hulmerist
- Our Frank (single)
- Live In Dallas
- You're The One For Me, Fatty (single)
- Your Arsenal
- Tomorrow (single)
- Certain People I Know (single)
Discogs Information
Profile
Worked as a production manager for Rough Trade, personal assistant for Morrissey and designed covers for The Smiths. / Morrissey.
External Links