the raytownian
Member
Los Angeles happened.What the f***? What happened to the man that wrote songs like Break Up the Family, Late Night Maudlin Street, This Charming Man, My Love Life, etc etc.
Los Angeles happened.What the f***? What happened to the man that wrote songs like Break Up the Family, Late Night Maudlin Street, This Charming Man, My Love Life, etc etc.
Los Angeles happened.
I'm really quite astounded at the great reviews this album is receiving. The title track is just godawful -- each time I try to listen to it, I turn it off within the first 60 seconds - it's so profoundly corny and silly. I'd be embarrassed to be caught listening to it.
The rest of the album is also largely uninspiring. Instanbul, however is an okay track - a decent tragedy, and Staircase is cute.
I find it very odd that these songs could evoke emotions other than boredom and/or/combined-with irritation. I find it bizarre. Yes, yes, relativity, subjectivity and all that non-sense -- but really, really? What the f***? What happened to the man that wrote songs like Break Up the Family, Late Night Maudlin Street, This Charming Man, My Love Life, etc etc.
As a bit of a disclaimer, I actually really like Years of Refusal. I think it's a great album to drive and scream along with at the top of my lungs -- it's damn good fun, and cathartic. I feel like there is humanness in Years of Refusal. World Peace's lyrics seem to me to be words strung together for the sake of it.
I heard somewhere that true art is that which you absolutely cannot imagine somebody else disliking. Well, I think this album is the complete obverse of that -- it's something of which I absolutely cannot imagine somebody else liking.
Has there ever been a songwriter who, in their 20s and 30s out out amazing songs and continued to do so into their 50s?
He doesn't even live there anymore. He doesn't really live anywhere.
Has there ever been a songwriter who, in their 20s and 30s out out amazing songs and continued to do so into their 50s?
Seems like after 40 for most songwriters something happens and their music just isn't as good.
It’s difficult. Even the ones who manage to keep producing amazing songs either slow their output dramatically or else produce a lot of lesser stuff as well.
Nick Cave is probably the best example of someone managing to keep at it well until his 50s. There was a moment, around 10 years ago with No More Shall We Part and Nocturama, when it looked like he was going to finally succumb getting tired with age, but since then he’s raised his game and is as good as ever. He is actually even more productive nowadays than in his youth.
He doesn't even live there anymore. He doesn't really live anywhere.
Has there ever been a songwriter who, in their 20s and 30s out out amazing songs and continued to do so into their 50s?
Seems like after 40 for most songwriters something happens and their music just isn't as good.
He doesn't even live there anymore. He doesn't really live anywhere.
Has there ever been a songwriter who, in their 20s and 30s out out amazing songs and continued to do so into their 50s?
Seems like after 40 for most songwriters something happens and their music just isn't as good.
Please post your own review of "World Peace" here.
I'm glad you like it. The bonus tracks are amaze-balls. This is the most COMPLETE piece of work that Morrissey has delivered in decades. And I agree the production is so lush and clever. It is what I expected Ringleader to sound like but didn't quite manage. I can't stop playing this f***en album! At home, in the car, on my phone.
Good idea. I've abstained to date apart from what I have heard in concert. Once I've enjoyed the album, in full, and taken time to reflect, like many I will want to post a proper review. Cheers.
I can hear that, now that you've mentioned it.
This might have already been mentioned bit does the intro to 'Staircase' remind anyone else of the intro to 'Fatty'? Especially the drum rhythm.
Glad you like it. And the bonus tracks are just as good as the rest of the album to my ears.
I've noticed I'm not crazy about the last spanish guitar bit of Staircase. It's quite superfluous and a bit cliche. I wish the song ended before that part.
I love it. To my ears it's the best part (reminds me a bit of The Electrician. That and the horns and the hand claps. I just love the melody. I just can't get it out of my head. It's the best pop "single" he has recorded in 20 years. I love the way he sings "universi-tey".